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8.2 / 10

Votes: 180

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Writer: Yuri Célico
Info: Estudante de Jornalismo, crítico de cinema e discípulo do nosso Senhor Cthulhu.

Creator - Alan Jay Lerner. 1 H 54m. 28510 votes. Release Date - 1951. Average ratings - 7,5 of 10. Vincente Minnelli. Love love love my dreams. Free stream sinfon c3 ada de par c3 ads video. Free stream sinfon c3 ada de par c3 ads 2017. Free stream sinfon c3 ada de par c3 ads vs.

Que chingonería! Afortunados los que vimos esas caricaturas, excelentes historias, banda sonora y calidad de contenido, no que ahora parecen hechas por retrasados para retrasados. Que nostalgia, salir de la primaria y llegar a ver los caballeros del zodiaco o dbz. I am sorry to all those that were wowed by this film. While I concede Gene Kelly is a great dancer and is so smooth and in control of his body it is like he dances on ice, the film itself is painfully weak in nearly all story telling respects. First off, Jerry Mulligan is an ahole. He treats both women poorly and deserves to be penniless and alone. He comes off like a modern-day 40 year old pervert who lurks around bars hitting on women half his age by being aggressive and demanding. No women fall for this pathetic "midlife crisis" routine, unless the man has money and/or class. Mr. Mulligan has neither. He also does not have the intellect of an artist, which might at least make him an interesting sophisticate. He essentially has nothing to offer.
As for the female wealthy sponsor, why on earth would she take an interest in this loser? She meets him by witnessing his pretentious attack of a young American woman trying to enjoy her summer trip to Paris. Excuse me Jerry, but when did you become such a wise man of the world? He then insults the girl as a typical American Jerry, have you forgotten your roots? You too are an American. Get over yourself, you hack overblown house painter. I still don't get why the wealthy woman would find his boorish behavior interesting. Then, his manners (drinks before she is served, doesn't say thank you, makes a blatant ass of himself oodling over the young woman at the bar in front of company he does not know well, etc, etc, etc) are disdainful. She may be lonely, but she is clearly slumming it with this jerk and deserves much more. A major problem with the film is she should know this. They try to play it off by having her male friend, while dancing with her, imply she is a sucker for what she considers to be talented artists, but Jerry is way out of her league and her character would know this given how they portray her otherwise.
Which brings me to my main point and main problem with this movie. I honestly hoped everyone we met during the movie ended up happy but Jerry. He is the worst of all those people. An unappreciative, self-absorbed ignoramous with no consideration for those around him. Let's recap. He uses the wealthy woman's feelings for him to get what he wants. He does nothing to help his "friend" Adam nor takes an interest in his life. He steals the young woman from Henri, even after finding out that he was with Lisse. He never once talked to Henri or explained the situation, then when it went his way in the end that was all fine to him. I was absolutely put off by this character. He is the fact that he ends up happy while having destroyed everyone around him yet he is completely unaffected by the destruction he has caused makes me ill.
Therefore, I conclude this movie to be terrible. The characters respond to Jerry unrealistically while he arrogantly struts through the movie as if he's untouchable.
If the director intended to be unbelievably subtle and ironic by creating a setting of happiness and creativity where it is almost impossible to be unhappy while placing a huge jerk in the center, then I give him the highest applause in the world. He has convinced the world this movie has a happy ending and is cheery, yet meanwhile the worst character of them all ends up happy by lying to get rich (via art show) and bullies love out of a young, naive girl. If that is the real intent, then the director is a genius and I highly respect his fooling the world and painting a false picture (intentional painting reference here) that viewers of the film thought was beautiful. The irony director on the surface painted a love story, but reality is that it was an ugly story (just like Jerry's painting which we were to believe showed talent but in reality was terrible and we all knew it.
Aside from the character issue, the plot is bland and the movie moves disjointedly. It is a poor film unless the irony was, it is an arthouse classic with major cinematic issues.

Free stream sinfon c3 ada de par c3 ads plus. Ling Ling. 😍. Free stream sinfon c3 ada de par c3 ads like. Always amazed at the violinist's perfect finger chord placement, at speed too.

Free Stream Sinfonía de para a página. マーマ！ディやー！何これはペガサスの回りに無数となって形をなすあれは？. Circa 1992 I stayed up all night to figure out that pesky measure that stands out like a sore thumb. Acing the first year Music Theory final at the University of Washington with the professor's comment, Better than I could have done, I really enjoyed seeing him more recently performing a concert of EEG and EMG music with the finale being listening to the brainwaves of someone falling asleep. Free stream sinfon c3 ada de par c3 ads without.

Free stream sinfon c3 ada de par c3 ads online. Harnoncourt was our Pope, but nobody will replace him ! All the Mozart and Haydn made in the 80's with the Concertgebouw Orchestra are real marvels. Dutch musicians have this open-minded spirit Harnoncourt was looking for. Long live Nikolaus. Amazing. For sheer beauty, I like Mozart's Paris ( 31) and Linz ( 36) best. But, the heavenly melodies in the adagio of the Jupiter ( 41) seem unsurpassed.

Free Stream Sinfonía de para o site. Free stream sinfon c3 ada de par c3 ads review. Free Stream Sinfonía de paris. Que hermoso, desearia poder ir a ver uno de estos conciertos. Free Stream Sinfonía de para sitios web. Free stream sinfon c3 ada de par c3 ads download. Wow. This is a performance for the ages. Power, vigour, elegance, and Maazel conducting without a score. Free stream sinfon c3 ada de par c3 ads 2018.

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Free stream sinfon c3 ada de par c3 ads in america. There was a problem filtering reviews right now. Please try again later. Reviewed in the United States on February 1, 2018 Format: Blu-ray Verified Purchase The immortal Gene Kelly, the exquisite Leslie Caron, the sophisticated Nina Foch, the cranky Oscar Levant, the music of George Gershwin, the screenplay by Jay Lerner, and the direction of Vincente Minnelli. Connect all those sublime elements and you have a magical production that is far greater than the sum of its magnificent parts. This movie will always be a favorite of people who love life and see it as a beautiful dream choreographed by their heart's desires. (If this review was helpful in any way, please click on the "Helpful" key below, or write a comment. Thanks). Reviewed in the United States on April 18, 2017 Format: Prime Video Verified Purchase A fabulous fabulous movie. Timeless! A must for anyone likes classic film and musicals. If you were going to compare it to the current Broadway musical, do not, it's like comparing apples and oranges. Both are magnificent but different in many ways. I'm a huge fan of Gene Kelly. His masculinity and spectacular tap dancing are complement so well with Leslie Caron's Classic ballet Point. His dance with the little French children "I've got rhythm" is an unforgettable simply joyful scene. Oscar Levant is dream made in heaven with his sardonic comic humor, and one of the most extraordinary concert pianists of that era. It is worth it just to see and hear him play. Pure magic for young and old. I would give it 10 stars if it were possible. Reviewed in the United States on March 3, 2019 Format: Blu-ray Verified Purchase I don't know what went wrong where, but this transfer is kind of a joke. Anyone who has seen a real dye transfer Technicolor print of this film will know what. The color is ugly here - it should be vibrant and beautiful. Nothing is as sharp as it should be. I wish Warner Archive would do this and Gigi over again, and perhaps On the Town while they're at it. The movie itself is mostly a wondrous thing. Reviewed in the United States on February 11, 2018 Format: DVD Verified Purchase I saw this movie when it first came out in the 1950's, and have seen it several times since. It certainly hasn't lost its charm, and that's why I bought it. Almost everything in it is perfect - Gershwin's music, Gene Kelly's dancing and pretty good singing, and then there is the dancing and charm of a very young Leslie Caron, in what was, I believe, her first movie appearance. But, leaving the best 'til last, there is the dancing and splendor of the 'American in Paris' scene. I am no connoisseur of ballet, but I don't think one has to be to take in and enjoy both the magnificent setting and the music and dancing involved. If you like music, dancing, and real talent, you will not want to pass up this opportunity. Reviewed in the United States on April 17, 2016 Format: DVD Verified Purchase I absolutely LOVE this movie. But this DVD has audio problems that make it unwatchable. The dialog is so quiet that you have to turn the volume up to 100% - and then when a song begins (and it's a musical, there's a song every few minutes! ) it's crashingly, painfully loud, so must turn audio down swiftly. It's incredibly distracting to watch a movie with your thumb constantly at the ready to hit the volume up / down. I'm guessing these DVDs were seconds / problematic at factory, and that's why it was so cheap. You sometimes really do get what you pay for. :( Reviewed in the United States on April 19, 2016 Format: Prime Video Verified Purchase I have always enjoyed musicals, whether movies or live stage productions. I'm totally enthralled once the singing and dancing begins. But, with the success of An American in Paris on Broadway, I had to revisit this old movie; I was a seven year old when I last saw. The dialogue and visuals might seem a little hokey by today's standards, but Gene Kelly and Leslie Caron's dancing is second to none. I loved the movie from beginning to end, and I do recommend this old gem to all who have an interest in amazing dance. Reviewed in the United States on July 2, 2008 Format: DVD Verified Purchase Warner Brothers' proprietary Ultra-Resolution process has brought new life to such classics as "The Wizard of Oz, " "Gone With the Wind, " Errol Flynn's "Robin Hood, " and "Singin' in the Rain. " By going back to the original three-strip technicolor negatives and realigning them digitally, the color and detail blows away anything that customers have seen in the past with home video. "An American In Paris" has now undergone the same process. For those that have a blu-ray player, be sure to order this version, An American in Paris [Blu-ray]. Here is a list of extras that are the same on both versions: Disc 1: 1. 33:1 Full Screen with Original Mono audio * Tech Specs for Blu-ray version: Video is 1080P 1. 33:1 * Audio is English, French, Spanish (Both Castilian and Latin), German and Italian DD1. 0 * Subtitles (Main Feature): English, French, Spanish, Danish, Dutch, Finnish, German, Italian, Japanese, Norwegian, Portuguese, Swedish * Subtitles (on Select Bonus Material): English, French, Spanish, Dutch, Italian, Japanese, Portuguese 1938 MGM short: Paris on Parade 1951 MGM cartoon: Symphony in Slang Theatrical trailer Disc 2: 2002 American Masters Documentary: Gene Kelly: Anatomy of a Dancer ( Gene Kelly - Anatomy of a Dancer) `S Wonderful: The Making of An American in Paris, an all new documentary, produced especially for this release. A dynamic history of the making of the film, which reveals how George and Ira Gershwin's classic songs, the dazzling art of the French impressionists and the ultimate teamwork of MGM's legendary "Freed Unit" came together to create a musical masterpiece. Featuring ten new interviews, including co-stars Leslie Caron, Nina Foch, and Kelly's widow. A very enlightening piece; Caron's memories are probably the most interesting, with Foch running a close 2nd. Caron's comments about co-star Georges Guétary being handsome but not too bright seem to be echoed by Kelly's widow, who says Gene spent more time trying to teach him how to gracefully walk down a set of steps than on anything else in the film. It is unfortunate that Maurice Chevalier could not have taken that role as originally intended. You also realize just how revolutionary this movie was (artistically), especially because of the 17-minute ballet tacked on at the end of the movie. Even Irving Berlin disapproved during an on-set visit, which didn't help the confidence of Vincente Minnelli at all. Outtakes: Georges Guetary performing Love Walked In (not missed in the movie at all! ) Audio Outtakes: Alternate Main Title, But Not for Me (Guetary), But Not for Me (Levant Piano Solo), Gershwin Prelude #3, I've Got a Crush on You, Nice Work if You Can Get It, 'S Wonderful Radio Interviews: Johnny Green, Gene Kelly, Gene Kelly & Leslie Caron; Gene Kelly and Leslie Caron promotional radio interview with Dick Simmons Not all of the original musical recording stems have survived over the years, preventing a true stereo/5. 1 restoration of the soundtrack; instead, a restored mono version is being made available. Most are familiar with the movie; storywise, it is a little creaky and hasn't necessarily survived well over the years: Kelly is an American artist living in Paris. He falls in love with a young girl (Leslie Caron) who is in a loveless relationship with one of his best friends (Guétary). Kelly is also in somewhat of a loveless relationship with his financial sponsor (Nina Foch). You can probably guess the rest. The glowing color, fantastic music by Gershwin (arrangements by the talented Conrad Salinger), and the amazing choreography of Gene Kelly will keep this one a classic for years to come despite a predictable plot. Just the ending ballet alone is a masterpiece; the art of Toulouse Lautrec and Utrillo comes to life with Gene Kelly & Leslie Caron dancing their hearts out to some of the most imaginative choreography (Kelly's) in years. The Freed Unit at MGM was at their peak when this movie was made, and this is one of the last great ones that it created. It is a real shame that with how fantastic the picture is (the colors literally leap off the screen, and it really adds to the appreciation of what an artistically beautiful visual feast this movie is) that the sound cannot match. Although it is clear and free of problems, the Gershwin music just begs for a 5. 1 or 7. 1 surround track; unfortunately, due to the age and availability of the original elements, this is not possible. Top international reviews 5. 0 out of 5 stars An Outstanding Watch for Those That Enjoy Musicals Reviewed in the United Kingdom on August 30, 2015 Verified Purchase This was made in 1951, two years before I was born; this is the first time that I had seen it! It cost a fortune back then to make it - 2. 7 million dollars; they needn’t have worried, at the last count the studio had made 1. 3 billion! It won numerous gongs for its choreography and costume and direction. I felt that the lead players in the cast also deserved an Oscar, especially ‘perpetual motion, ’ Gene Kelly, and the charming Leslie Caron, whom I thought a total delight to look at and watch? Add Gershwin’s music into the mix and this just couldn’t fail. The direction by Vincente Minnelli (Liza’s dad) produced a superb spectacle. I bought the plain DVD version (not the Bluray) but I have to say that the picture quality and colour is just amazing for a film of that age. The final dance / ballet scenes are rather long at 16 minutes but it is a wonderful finale, apparently those scenes alone cost a half a million dollars to make! I thoroughly enjoyed the film and as the saying goes – they certainly don’t make um’ like that anymore? 3 people found this helpful Sending feedback... Thank you for your feedback. Sorry, we failed to record your vote. Please try again Report abuse AN AMERICAN IN PARIS [1951] [Blu-ray] Reviewed in the United Kingdom on May 7, 2013 Verified Purchase AN AMERICAN IN PARIS [1951] [Blu-ray] [US Import] An Altogether Delightful Musical Holiday! What A Joy To See M-G-M’s Technicolor Musical! Gene Kelly, producer Arthur Fred, director Vincente Minnelli and a skilled production team conjure an entertainment for the ages. Gene Kelly plays an ex-GI who loves Paris and an alluring [but engaged] perfume-shop clerk [Leslie Caron] in her beguiling screen debut. Dazzling dance sequences are spun around songs by George Gershwin. And the closing ballet sequence combining the George Gershwin title piece, Impressionist set styling's and Gene Kelly's inimitable talent telling a story in dance and lifts this winner of 6 Academy Awards® to new heights and especially now this Blu-ray has had a New Ultra-resolution Digital transfer! FILM FACT: Awards and Nominations: Academy Awards®: Win: Best Picture for Arthur Freed [Producer]. Win: Best Art and Set Decoration, Colour for E. Preston Ames, Cedric Gibbons, F. Keogh Gleason, and Edwin B. Willis. Win: Best Cinematography and Colour for John Alton and Alfred Gilks. Win: Best Costume Design and Colour for Orry-Kelly, Walter Plunkett, and Irene Sharaff. Win: Best Musical Score for Saul Chaplin and Johnny Green. Win: Best Writing, Scoring and Screenplay for Alan Jay Lerner. Nominated: Best Director for Vincente Minnelli. Nominated: Best Film Editing for Adrienne Fazan. Golden Globe® Awards: Win: Best Motion Picture in a Musical or Comedy. Nominated: Best Director in a Motion Picture for Vincente Minnelli. Nominated: Best Actor in a Motion Picture Musical or Comedy for Gene Kelly. Gene Kelly received an Academy Honorary Award that year for "his versatility as an actor, singer, director and dancer, and specifically for his brilliant achievements in the art of choreography on film. " It was his only Oscar. Cast: Gene Kelly, Leslie Caron, Oscar Levant, Georges Guétary, Nina Foch, The American In Paris Ballet (Ballet Dancers), Robert Ames (uncredited), Marie Antoinette Andrews (uncredited), Felice Basso (uncredited), Rodney Bieber (uncredited), Ann Brendon (uncredited), Ralph Del Campo (uncredited), Sue Casey (uncredited), Andre Charisse (uncredited), Allan Cook (uncredited), Ralph Del Campo (uncredited), Gloria DeWerd (uncredited), Carli Elinor (uncredited), Marietta Elliott (uncredited), George Ellsworth (uncredited), Luigi Faccuito (uncredited), Ernie Flatt (uncredited), Mary Jane French (uncredited), Mary Ellen Gleason (uncredited), Shirley Glickman (uncredited), Ricardo Gonzáles (uncredited), Patricia Hall (uncredited), Betty Hannon (uncredited), Jack Harmon (uncredited), Jean Harrison (uncredited), Marian Horosko (uncredited), Don Hulbert (uncredited), Dickie Humphreys (uncredited), Harvey Karels (uncredited), Stephen Kirchner (uncredited), Tommy Ladd (uncredited), Judy Landon (uncredited), Richard Landry (uncredited), Meredith Leeds (uncredited), Eileen Locklin (uncredited), Shirley Lopez (uncredited), Ralph Madlener (uncredited), Bert Madrid (uncredited), Dudley Field Malone (uncredited), Bob Mascagno (uncredited), Charles Mauu (uncredited), Bonnie Menzies (uncredited), Roy Ossorio (uncredited), Jetsy Parker (uncredited), Ricky Ricardi (uncredited), Carol Risser (uncredited), Marilyn Rogers (uncredited), Jean Romaine (uncredited), Alex Romero (uncredited), Hayden Rorke (uncredited), Albert Ruiz (uncredited), Marilyn Russell (uncredited), Betty Scott (uncredited), Linda Scott (uncredited), Rudolph Silva (uncredited), Pat Simms (uncredited), Melba Snowden (uncredited), John Stanley (uncredited), Beverly Thompson Dorothy Tuttle (uncredited), Pat Volasko (uncredited), Dorothy Ward (uncredited), Ray Weamer (uncredited) and Lila Zali (uncredited) Director: Vincente Minnelli Producer: Arthur Freed and Roger Edens (uncredited) Screenplay: Alan Jay Lerner Composers: George Gershwin and Ira Gershwin (lyrics) and Conrad Salinger (uncredited) Cinematography: Alfred Gilks and John Alton (Ballet) Video Resolution: 1080p [Technicolor] Aspect Ratio: 1. 33:1 Audio: English: 1. 0 Dolby Digital Mono, 1. 0 French: Dolby Digital Mono, Spanish: 1. 0 Dolby Digital Mono, German: 1. 0 Dolby Digital Mono and Italian: 1. 0 Dolby Digital Mono Subtitles: English, French, Spanish, Portuguese, German, Danish, Dutch, Finnish, Italian, Norwegian and Swedish Running Time: 113 minutes Region: All Regions Number of discs: 1 Studio: Warner Home Video Andrew's Blu-ray Review: ‘An American in Paris’ [1951] is one of the greatest, most elegant, and most celebrated of M-G-M's 1950's musicals, with Gershwin lyrics and musical score, plus lyrics by Ira and music by composer George from some of their compositions of the 1920s and 1930s, lavish sets and costumes, tremendous Technicolor cinematography, and a romantic love story set to music and dance. Gene Kelly served as the film's principal star, singer, athletically-exuberant dancer and energetic choreographer and he even directed the sequence surrounding "Embraceable You. " The entire film glorifies the joie de vivre of Paris, but it was shot on M-G-M's sound stages in California, except for a few opening, establishing shots of the scenic city. Nonetheless, it remains one of the most optimistic American films of the post-war period, with Paris at its centre. If you've heard of `An American in Paris, ' then you already know that it's one of the top musicals ever made and one of the artistic high points in the history of the M-G-M studio. In the production unit of Arthur Freed, M-G-M bankrolled a concentration of musical and dancing talent that no smaller organisation could possibly have put together; it's one of the truly persuasive arguments in favour of the old studio system. Inspired by the music of George and Ira Gershwin, Arthur Freed put his most creative talent into this one entertainment. The ambitious Vincente Minnelli was a meticulous design-oriented director, while the energetic star and choreographer Gene Kelly was hooked on the idea of blending dance and cinema into new, unseen forms. One of the film's highlights is its impressive finale - an ambitious, colourful, imaginative, 13 minute avant-garde "dream ballet" costing a half million dollars to produce. The pretentious sequence, featuring an Impressionistic period daydream in the style of various painters, is one of the longest uninterrupted dance sequences of any Hollywood film, and features the music of George Gershwin. Gene Kelly and John Alton collaborated in presenting a totally remarkable marathon musical and dance number that was the first for both of them to work in Technicolor. Hollywood attempts at artistic achievement have often been met with indifference, even when they succeed. Film historians point to the "cinematic" ballet in Michael Powell and Emeric Pressburger's `The Red Shoes' as an important precedent; many dance critics had little use for it as well. Hollywood films were expected to be escapism first and art "maybe;" Vincente Minnelli and Arthur Freed took a big risk with their consciously "arty" ballet finale. That America accepted and celebrated `An American in Paris' perhaps marks the highpoint of post-war optimism, a time just before the anxieties of those years claimed a big piece of the culture. Alan Jay Lerner's script is as simple as any of M-G-M's formula musicals. Ex-GI Jerry Mulligan [Gene Kelly] tries to become a painter in an idealised post-war Paris that still loves Americans. He lives in the same building as Adam Cook [Oscar Levant], a pianist-slacker who lives from fellowship to fellowship grant. Mulligan meets two women on the same day. Well-heeled Baltimore divorcée Milo Roberts [Nina Foch] offers to sponsor Jerry's art, but is really looking for a new man to keep. Jerry's eye instead goes to the young Parisian Lise Bouvier [Leslie Caron]. He falls in love almost immediately. The problem is that Lise is engaged to successful singer Henri Baurel [Georges Guétary], a close associate of Adam. Jerry Mulligan's Yankee sense of humour helps win Lise's heart, but she feels too indebted to Henri to let him down. A strong story is often irrelevant to a classic M-G-M musical. The important factors are the music, the talent and the treatment of the musical numbers. Paris glides from one jubilant George Gershwin winner to the next, none of which repeat a mood. Jerry, Adam and Henri celebrate friendship with "By Strauss" and dancing with the fat barmaid and an ancient, but cheerful lady bystander. Jerry has fun playing with the neighbourhood kids with the song "I Got Rhythm;" the kids seem genuinely amused. Georges Guétary belts out a flashy Follies Bergére type song called "I'll Build a Stairway to Paradise", while the egotistical Adam daydreams of triumph as a concert pianist performing "Concerto in F for Piano and Orchestra. " Jerry and Lise's key romantic tune is "Our Love is Here to Stay. " `An American in Paris' is a beloved title and many fans appreciate its artistry. Most of the other top M-G-M musicals display a broader streak of comedy, and the supposed 'best musical of all time 'Singin' in the Rain' is wittier, more complex and even has relevance as an account of Hollywood history. Oscar Levant's forced cynicism plays against the mood, as the show never makes a full statement about artistic vagabonds. The sentiment and heart in Paris is really a fusion between the personalities and the music. Leslie Caron's perky smile and laugh are winning but she seems truly heartbroken only when backed by Gershwin. It's less a variety musical than a romantic fusion. Gene Kelly's performance in the big `An American in Paris Ballet' integrates dance and music so closely together that he seems to personify the spirit of George Gershwin. Busby Berkeley and to some extent Michael Powell's big dance extravaganzas made the camera an active participant in the flow of music and dance, but Kelly's choreography unites music, dance camera and performance into a seemingly living entity. Add to that John Alton's intense colour lighting (with difficult, choreographed lighting changes) and the Ballet may be the most complicated dance ever put on film. It's an almost perfect collaboration. Vincente Minnelli's spectacular design motifs here are in much better balance. The ballet progresses through a parade of classic painting styles that mimic artists like Utrillo, Renoir and Van Gogh. Perhaps the best compliment for the Ballet is that it does full justice to George Gershwin. The music stands alone as a supremely emotional experience, and the Ballet only heightens it. There's none of the oddball mismatches of music and visuals that one remembers from certain segments in Fantasia. `An American in Paris' is Hollywood filmmaking worthy of superlatives. Blu-ray Video Quality – The video quality on this Blu-ray release is in a full 1080p encoded image in the 1. 33:1 aspect ratio. The first thing that will catch your eye with this release obviously, is that residual 1950′s Technicolor looks. Perhaps it was the intention, but I do have to say at several points in the film the colour palette goes from harsh to seriously intense, not by any means "popping" off the screen in a pleasing manner. Now, don't get me wrong, scenes doused in neutrals from the wardrobe to the set design actually look very nice, though there is still the subject of the flesh tones existent. The flesh tones harbour the most blush-esque of bright orange hues, and this look continues through the entire film, fluctuating in that Technicolor way you've seen on other elder classics, as an actor moves across the screen passing the horizontal flickers all shades of the palette alternate in tones. The blaring colour palette is heightened by the definite solid black level; so solid, some scenes in which actors are clothed in an abundance of black actually gives them an appearance of animation. This solid black level may be dead on, but it tends to bring out the hard-core saturation, which is often bleeding with more bold hues, creating a near glare at the presence of such vividness, and more importantly, taking away the presence of detail. The late Gene Kelly had an extremely expressive face, and though it needs to be understood that this film has endured some aging, much of the detail of facial features is absent; this quality also applies to all other visual definition aspects of the film, from the costumes, to the set design as well. A good example of this is at the runtime of about 32 minutes and 20 seconds, where Milo is wearing an open back dress, and the scene involves some shots from behind her. Where we would normally see the contours of the shoulder blades, the bleeding/pixilation and harsh colour saturation make the visible flesh tone of her back appear as one smooth piece. Overall, you have to give credit where it is due, and it is evident that this release is what it is with special efforts, as are most classic catalogue titles that have made their way to Blu-ray recently. Keep in mind that when you see this film on Blu-ray what you are seeing was created by filmmakers over 50 years ago, and through so many different processes, this will be the best presentation you can own at this time. Purists will also surely be proud, as this release hasn't gone through significant changes, still possessing many qualities that will keep it in a very original form. Though, when comparing a film from this era to others of the genre that have made their way to Blu-ray. Blu-ray Audio Quality – The audio quality on this release is presented in 1. 0 Dolby Digital Mono. It was a great choice on behalf of Warner Bros. to stick with the original mono track for this films Blu-ray release, providing a more sincere, and realistic experience connecting to a time long past, not to mention the film's content that is present would have made for a label of "overkill" if a more voluminous track had been included. There are just a few issues that occur on this audio track though. Occasionally, there is hissing present, usually during a pause in a musical number. Also, at least 2 to 3 times during the abundance of tap dancing that occurs throughout the film, the sounds of "tapping" are out of sync with what we see happening visually. On a more positive note, all of the vocals are carried out nicely, and shouts and emphasized vocals have a bit of an acoustic quality. Overall, this audio track suits the film in a justifying manner. Blu-ray Special Features and Extras: Audio Commentary: Commentary by Patricia Ward Kelly: Featuring rare, often previously unheard interviews with Gene Kelly, Vincente Minnelli, Arthur Freed, Alan Jay Lerner, Johnny Green, Saul Chaplin, Michael Feinstein, Preston Ames, and Irene Sharaff and new observations by Leslie Caron and Nina Foch: A patchwork track hosted by Patricia Ward Kelly that features rare interview segments with director Vincente Minnelli, stars Gene Kelly, Nina Foch, and Leslie Caron, and other key members of the cast and crew like producer Arthur Freed, screenwriter Alan Jay Lerner, co-musical directors Johnny Green and Saul Chaplin, musician Michael Feinstein, art director Preston Ames, and costume designer Irene Sharaff. The nature of the commentary makes for an uneven listen, but the enormity of the interviews on hand allows for the participants to cover the gamut of the production and for the disc's producers to be selective about the quality of all the information therein. Special Feature: 'S Wonderful: The Making of An American in Paris [2008] [1080p] [42:00] This documentary features new interviews, including Leslie Caron and Nina Foch. This recently produced behind-the-scenes documentary digs into George Gershwin's original work, the genesis of the cinematic adaptation, casting, the shoot, and the eventual reception of the film. Special Feature: American Masters: Gene Kelly: Anatomy of a Dancer [2002] [89:00] This PBS documentary from the American Masters series focuses on Gene Kelly, his career, and his contributions to the film and its genre. It looks in detail at the life, the work, and the contributions of Gene Kelly to movies and movie making. The film celebrates Kelly's putting story-telling into dance and discovering, along with Martha Graham and Jerome Robbins, an American style. It examines his partnership with Stanley Dolan, his bringing of tap and ballet into musicals, his marriages and personal competitiveness, his political views, and his work on stage as well as in film. This production details his contributions as a dancer, choreographer, and director. The narration and talking heads also discuss his muscular style, his low centre of gravity, and his masculine appeal. Special Feature: Vintage James FitzPatrick Traveltalks Short: Paris on Parade [9:00] A vintage musical segment from James FitzPatrick Traveltalks that focuses on a 1937 The Paris Exhibition. The Paris Exposition is seen as one of the most important events to take place in 1937 if only because it brought together forty-four nations side-by-side in goodwill. The Expo took place along the banks of the Seine, using many existing landmarks. Each national pavilion was provided and designed by the country in question, symbolizing some important aspect of that country. Pavilions of French colonies were also well represented. Lighter fare at the Expo included demonstrations of water skiing on the Seine, performances of cultural dances native to specific countries, and the on-going spectacle of the Fountain of Peace located at the base of the Eiffel Tower. Special Feature: Classic Cartoon: Symphony in Slang [1951] [7:00] `Symphony in Slang' is a Metro-Goldwyn-Mayer cartoon short directed by Tex Avery and written by Rich Hogan. It tells the story of a man John Brown, who finds himself at the Pearly Gates explaining the story of his life to a bewildered Saint Peter and Noah Webster using slang of that era. The majority of the short is made up of sight gags based on Peter and Webster's imagined, literal understandings of such phrases as "I was born with a silver spoon in my mouth" and "Outside it was raining cats and dogs. " Special Feature: Love Walked In [1951] [3:00] A musical outtake song sequence featuring Georges Guétary and Oscar Levant. Special Feature: Audio-only bonuses: Outtake songs gallery and Gene Kelly, Leslie Caron and Johnny Green radio promos [14:00] A trio of interviews with Gene Kelly, Johnny Green, and a conversational chat with Gene Kelly and Leslie Caron. Theatrical Trailer [1951] [4:00] [1080p] Finally, one of the high points of the M-G-M musical, `An American in Paris' makes a welcome entry into the annals of high definition in this marvellous looking Blu-ray release with a host of bonuses that make the package a must-see and for many a must-own. Warner Brothers used their patented ultra-resolution process to bring this film back to life. That means they went back to the original 3 strip Technicolor negatives and realigned them digitally. As a result, the colour and detail is unlike anything we have seen before on home video. In the dance number, where Leslie Caron takes on different personalities using different dances and colours, you will not believe the quality of colour. It really was amazingly, absolutely beautiful. If you have a Blu-ray player, make sure to choose this Blu-ray version of this film as you will experience something truly special and that is why it has gone pride of place in my ever increasing Gene Kelly Blu-ray Collection. Highly Recommended! Andrew C. Miller – Your Ultimate No. 1 Film Aficionado Le Cinema Paradiso United Kingdom 4 people found this helpful American in Paris. Reviewed in the United Kingdom on February 3, 2017 Verified Purchase Excellent record of this iconic film and Gene Kelly's family background, skills development and in practice. Lesley Caron's first film part, at age 17/18. The talent of the three men, singer, pianist, dancer, amazing and hard work to perfection. Hope this is used in drama, music, dance, colleges/ academies, the dedication is demonstrated clearly. Lesley Caron tells how she surprisingly gained the part, the work ethic of Gene Kelly, and the learning process. 2 x DVD's.. one the movie film, the other documentary. Footage of Fred Astaire working alongside Gene Kelly, the contrasting styles, the blend of dance. Quality film making before it's time. 4. 0 out of 5 stars Good value Blu Ray restoration of a classic film. Reviewed in the United Kingdom on July 4, 2017 Verified Purchase This classic film is restored well and sold at a competitive price. If you enjoyed the original, you will appreciate this blu ray version. The info on the site makes it clear that this disc is an import. But, buyers need to note that the info on the package and the disc itself are both printed in Dutch. If you're ok with this, you've got a good deal! 2 people found this helpful Famous musical Reviewed in the United Kingdom on July 13, 2015 Verified Purchase Not much more one can say about this famous Gene Kelly Classic. I am delighted the girl in the movie is Leslie Caron since she dances well so can dance with Kelly rather than him needing a stand-in dancer for the "ballet sequence" - a problem which for me was the only flaw in his best musical Singin' in the Rain. Kelly is of course a struggling artist in Paris, where else, so plenty of Parisian type hints and French-ish accents etc. Always worth watching. Beautiful music of course. 5. 0 out of 5 stars... my mum and is why ever since I have loved musicals. I recently saw the stage version in... Reviewed in the United Kingdom on July 5, 2018 Verified Purchase This is one of the first films I ever saw with my mum and is why ever since I have loved musicals. I recently saw the stage version in London which was fantastic but made me want to see the film arrived quickly & is great to see the amazing Gene Kelly dancing again Perfect purchase. Reviewed in the United Kingdom on January 18, 2013 Verified Purchase I saw this film (again) on BBC over Christmas and was determined to have a permanent copy. It is an absolute classic - dance routines, sets, costumes - all wonderful. I found it for 'a song' from direct_offers_uk, though I think I got the last copy before a big price jump from other suppliers. It arrived in France in record time - with a free Christmas film as a gift. I am absolutely delighted with this supplier. Five stars movie. Reviewed in the United Kingdom on December 20, 2017 Verified Purchase Great movie all time i've seen it about time I always like it, Gene Kelly is great artist will never see another dancer and actor like him, recommended five stars movie. What great tunes and dance routines Reviewed in the United Kingdom on June 22, 2015 Verified Purchase What great tunes and dance routines. It leaves you breathless. Gene Kelly certainly makes this film a must see musical. For me some of the dance scenes could have been shortened but I guess they had to show both Leslie Caron and Gene K's talent for dance. The costumes are magnificent. One for all the family to watch and enjoy. First rate transfer. Reviewed in the United Kingdom on May 25, 2018 Verified Purchase Fabulous print of one of the great Hollywood movies. A classic for your collection. One person found this helpful Paris and Gene Kelly - A Combination Made in Heaven Reviewed in the United Kingdom on November 15, 2016 Verified Purchase In an age where the word celebrity has been debased by endless untalented nobody's elevated to God-like status, Gene Kelly's breath-taking gifts are here in this fabulous film to show what theatrical genius really means. As a lover of Paris, this film is a constant warm bath for me and I want to be watching it whilst I shuffle of this mortal coil. Hopefully a lot more viewings before that happens though! arrived early Reviewed in the United Kingdom on July 9, 2019 Verified Purchase Purchased to go with a collection of musicals on DVD. Not watched yet. Romantic Musical from the fifties Reviewed in the United Kingdom on February 27, 2018 Verified Purchase This is a lovely romantic film and much better than the vastly over-rated "La La Land" which is a poor copy of this story everything perfect, many thanks 10 / 10 A ++++++ Reviewed in the United Kingdom on May 8, 2018 Verified Purchase promised, everything perfect, many thanks 10 / 10 A ++++++ I sat at home and watched it Reviewed in the United Kingdom on February 16, 2019 Verified Purchase Report abuse.

Molto allegro ( 31:54. Free stream sinfon c3 ada de par c3 ads 2016. Free stream sinfon c3 ada de par c3 ads today. Free stream sinfon c3 ada de par c3 ads work. The second movement melts my heart and lifts my soul into the heavens ♥️. Épicoooooooo. 2011 | Universal Music Division Decca Records France Chicago Symphony Orchestra, James Levine | 01-01-2011 Composers: George Gershwin Total duration: 1 h 07 min 01 Rhapsody In Blue - Jazz Band Version, orch. : Ferde Grofé: Rhapsody In Blue Chicago Symphony Orchestra Gershwin: Un Américain à Paris, Rhapsody in blue 16:10 Composers: George Gershwin 02 Cuban Overture 09:52 03 "Porgy and Bess" Suite (Catfish Row): "Porgy and Bess" Suite 23:26 04 An American In Paris - Revised By F. Campbell-Watson 17:33 Comments 250 remaining characters Please log in or sign in to post a comment.

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